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Mother's Weaving

During my childhood, I always saw my mum sitting on a big loom. A wooden shuttle was flying back and forth between two layers of cotton thread. Different plaid patterns slowly appeared. Hundred thread under her hands were eventually transforming into a beautiful piece of cloth.

 

However, as time passed, the traditional wood loom began to vanish. New industries were rising in China. My father started to build up his high tech-knowledge factory. The conventional oil went through different, giant machines and came out white powder which was the main material of insulation for i-phone and space flight in the world. China’s economy was growing very quickly.

 

At the same time, the significant migration was brewing in China. People left from rural areas to urban centres and foreign countries, in order to look for new opportunities. My family was part of this great migration, moving from the countryside 

to the city, and I, myself, left for Canada to pursue education. My new life in Canada brought about substantial changes, presenting both harmony and discord. I faced the challenge of adapting to a new culture while still feeling a strong connection to my roots. This internal struggle led me to question my true identity.

 

Over time, I eventually shifted to a different investigation of my cultural identity with a new understanding. Like the mum’s thread and father’s conventional oil have gone through long and hard processes, eventually becoming the final products with their specific missions. I have discovered a metamorphosis within myself, where the interplay of space and time weaves intricate patterns of individuality and identity, blending the past and present, the internal and external, and the realms of inclusion and exclusion. This amalgamation has given rise to my new transcultural identities.

© 2025 Suxiang Art. All Rights Reserved

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